Music narrative is an essential part of great interpretation. By narrative I don’t mean something you could necessarily put into words, rather the performer having a clear idea of what the music is about and what it has to say.
Examples of Music Narrative
The example above – though crackly – is a superb example of performers who are completely at one with the mood of the music ( Massenet’s Elegie ) and convey its character wholeheartedly and beautifully.
Here are some relevant quotes from the great Russian actor Stanislavsky:
” Create your own method. Make up something that works for you. Keep breaking traditions, I beg you.”
“You’ll never see any two great actors approach a role in the same way.”
“Play well or play badly, but play truly.”
The overall point is that if you come up with imaginative ideas that are true to you they will breathe life into the music – just as an actor hopes to breathe life into a character he portrays.
Opera has its own narrative
One of the easiest ways to respond to narrative is when playing opera arrangements, where there is a defined story. Our arrangements of Toreador Song and Habanera – from Bizet’s opera Carmen – are good examples of this.