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cello teaching ideas

Cello Books

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Can cello books – or music books in general – change your playing? My own feeling is yes. This doesn’t mean I think that any cello  book  can compensate for one to one teaching. It’s rather that my own teacher recommended certain books which resonated with me and have been a major influence on my life.

Performing influences

I was lucky enough to experience some excellent string teaching.My cello teacher was the inspiring Christopher Bunting, and he recommended I read Stanislavsky’s Systems and Methods of Creative Acting – much of which relates directly to music. As well as helping me develop a secure technique, Christopher constantly focused on the difference between being an instrumentalist and being an artist and the importance of interpretation.  Roger and I generally agree on this approach when we work together in Fedora Strings – and  La Cumparsita is an example of the results.
cello books                                                                          Christopher Bunting
I haven’t always been able to be true to these ideas in the past – for various reasons – but I have always known that they are right and they have given me something to steer by. Another major influence for me was the well known violinist Manny Hurwitz, whose down to earth, characterful playing and approach to performance I still remember – and even today it helps my confidence.

What would they think?

If I could sum up the most important thing that I took away from all this, it is that to be an artist you need to find your own voice. And you need to project your ideas with all your heart in performance. Last week an American cellist and scholar who is researching Christopher Bunting’s cello books came to my house for a chat. I found myself wondering what Christopher would think of my playing now. I know for certain he would not interpret things in anything like the same way I do. But I hope he would be glad that at least  I am following my own instincts and ideas and projecting them as confidently as I can – something he always, always emphasised and that I regard as his greatest legacy to me.

Remembering the past

Good teachers are almost like family. How much you wish you could see them again and talk to them. And how much you hope that they can see you and know what a positive effect they had on your life. Ultimately good teaching – like good parenting – gives someone the freedom to be fully themselves. It’s beyond price.

To get some idea of Christopher’s superb playing listen below… 

This is his cello duet based on the Bourees from Bach’s 3rd cello suite:  Bunting Cello Duet

You can buy his  Portfolio Cello Exercises or Elegy by browsing here : Bunting cello music

And here  you can buy cds of Manny Hurwitz’s Aeolian String Quartet

 

  • Do you have happy memories of your teachers or music books you can recommend? If so please let me know by clicking on the comments link at the top of the page 

More Play by Ear on the Cello Ideas

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Here are some more ‘play by ear on the cello’ ideas for tunes in the straightforward keys of C, G or D major.

These tunes start on the third degree of the scale…
The following begin on the third degree of the scale: Mary had a Little Lamb, Merrily We Roll Along, Three Blind Mice, The First Nowell, In the Bleak Mid Winter, Let’s Twist Again,Go Tell it on the Mountain,  One Man Went to Mow, Ring a Ring of Roses, She’ll be Coming Round the Mountain, Swing Low Sweet Chariot,Deep River.

And these begin on the fifth…
Happy Birthday, Hark the Herald Angels Sing,Silent Night, Away in a Manger,O Little Town of Bethlehem,Jingle Bells, We Three Kings, We Wish You A Merry Christmas, Jolly Good Fellow Amazing Grace, Auld Lang Syne, the Gay Gordons, London’s Burning, London Bridge,Oranges and Lemons, This Old Man,What Shall We Do with the Drunken Sailor.
more play by ear on the cello ideas
 Ten minutes of playing by ear at the beginning  of each practice session can be fun and should make the process  easier fairly quickly.If you have suggestions or queries please comment on the blog and I will answer as soon as I can.

 

 

Cello Teaching Ideas

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One of the great advantages of You Tube is being able to see and hear other wonderful musicians play, which can inspire new cello teaching ideas. Recently I’ve found two stunningly good cellists who I love listening to: David Finckel and William Molina Cestari.
William Molina CestariCestari makes a beautiful sound, phrases expressively and has a touch of the hero from The Mask of Zorro about him. I especially like his performance of Beethoven’s Triple Concerto, which is one of my favourite pieces and has a fiendishly difficult cello part.

100 Short Cello Talks
David Finckel is the cellist in the Emmerson Quartet but gives a lot of solo recitals as well and you can see why, as both his playing and his rapport with his pianist wife are superb. He’s recently posted 100 short Cello Talks on You Tube.
These are particularly suitable for professionals and discuss the problems of concert hall projection and getting used to different acoustics, lighting and seating in a performance situation.But they’re also useful for students  and  give insight into a professional musician’s life – weird though it probably seems to be to the outside world.  Of course everyone’s approach is slightly different and what works for one person isn’t always effective for another. Nevertheless, if you’re a cellist these videos are well worth viewing.